Gone With the Wind

Scarlett O'Hara was not beautiful, but men seldom real­ized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French de­scent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin - that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Geor­gia suns.

Seated with Stuart and Brent Tarleton in the cool shade of the porch of Tara, her father's plantation, that bright April afternoon of 1861, she made a pretty picture. Her new green flowered-muslin dress spread its twelve yards of billowing material over her hoops and exactly matched the flat-heeled green morocco slippers her father had recently brought her from Atlanta. The dress set off to perfection the seventeen-inch waist, the smallest in three counties and the tightly fitting basque showed breasts well matured for her sixteen years. But for all the modesty of her spreading skirts, the demureness of hairnetted smoothly into a chignon and the quietness of small white hands folded in her lap, her true self was poorly concealed. The green eyes in the carefully sweet face were turbulent, willful, lusty with life, distinctly at variance with her decorous demeanor. Her manners had been imposed upon her by her mother's gentle admonitions and the sterner discipline of her mammy; her eyes were her own.

On either side of her, the twins lounged easily in their chairs, squinting at the sunlight through tall mint-gar­nished glasses as they laughed and talked, their long legs, booted to the knee and thick with saddle muscles, crossed negligently. Nineteen years old, six feet two inches tall, long of bone and hard of muscle, with sunhurned faces and deep auburn hair, their eyes merry and arrogant, their bodies clothed in identical blue coats and mustard-colored breeches, they were as much alike as two bolls of cotton.

* * *

Ellen O'Hara was thirty-two years old, and, according to the standards of her day, she was a middle-aged woman, one who had borne six children and buried three. She was a tall woman, standing a head higher than her fiery little husband, but she moved with such quiet grace in her swaying hoops that the height attracted no attention to it­self. Her neck, rising from the black taffeta sheath of her basque, was creamy-skinned, rounded and slender, and it seemed always tilted slightly backward by the weight of her luxuriant hair in its net at the back of her head. From her French mother, whose parents had fled Haiti in the Revolution of 1791, had come her slanting dark eyes, shadowed by inky lashes, and her black hair; and from her father, a soldier of Napoleon, she had her long straight nose and her square-cut jaw that was softened by the gentle curving of her cheeks. But only from life could El­len's face have acquired its look of pride that had no haughtiness, its graciousness, its melancholy and its utter lack of humor.

She would have been a strikingly beautiful woman had there been any glow in her eyes, any responsive warmth in her smile or any spontaneity in her voice that fell with gentle melody on the ears of her family and her servants. She spoke in the soft slurring voice of the coastal Geor­gian, liquid of vowels, kind to consonants and with the barest trace of French accent. It was a voice never raised in command to a servant or reproof to a child but a voice that was obeyed instantly at Tara, where her husband's mastering and roaring were quietly disregarded.

* * *

Ashley had made no attempt to join the circle about her, in fact she had not had a word alone with him since arriving, or even spoken to him since their first greeting. He had come forward to welcome her when she came into back garden, but Melanie had been on his arm then, Melanie who hardly came up to his shoulder.

She was a tiny, frailly built girl, who gave the appearance of a child masquerading in her mother's enormous hoop skirts - an illusion that was heightened by the shy, almost frightened look in her too large brown eyes. She had a cloud of curly dark hair which was so sternly repressed beneath its net that no vagrant tendrils escaped and this dark mass, with its long widow's peak, accentuated the heart shape of her face. Too wide across the cheek bones, too pointed at the chin, it was a sweet, timid face but a plain face, and she had no feminine tricks of allure to make observers forget its plainness. She looked - and was - as simple as earth, as good as bread, as transparent as spring water. But for all her plainness of feature and smallness of stature, there was a sedate dignity about her movements that was oddly touching and far older than her seventeen years.

Her gray organdie dress, with its cherry-colored satin sash, disguised with its billows and ruffles how childishly undeveloped her body was, and the yellow hat with long cherry streamers made her creamy skin glow. Her heavy earbobs with their long gold fringe hung down from loops of tidily netted hair, swinging close to her brown eyes, eyes that had the still gleam of a forest pool in winter when brown leaves shine up through quiet water.

* * *

Then the music broke into the rollicking strains of "Johnny Backer, he'p dis Nigger!" and Scarlett thought she would scream. She wanted to dance. She wanted to dance. She looked across the floor and tapped her foot to the music and her green eyes blazed so eagerly that they fairly snapped. All the way across the floor, a man, newly come and standing in the doorway, saw them, started in recognition and watched closely the slanting eyes in the sulky, rebellious face. Then he grinned to himself as he recognized the invitation that any male could read.

He was dressed in black broadcloth, a tall man, tower­ing over the officers who stood near him, bulky in the shoulders but tapering to a small waist and absurdly small feet in varnished boots. His severe black suit, with fine ruffled shirt and trousers smartly strapped beneath high in­steps, was oddly at variance with his physique and face, for he was foppishly groomed, the clothes of a dandy on a body that was powerful and latently dangerous in its lazy grace. His hair was jet black, and his black moustache was small and closely clipped, almost foreign looking com­pared with the dashing, swooping moustaches of the caval­rymen nearby. He looked, and was, a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until fi­nally, feeling his gaze, she looked toward him.

Somewhere in her mind, the bell of recognition rang, but for the moment she could not recall who he was. But he was the first man in months who had displayed an in­terest in her, and she threw him a gay smile. She made a little curtsy as he bowed, and then, as he straightened and started toward her with a peculiarly lithe Indian-like gait, her hand went to her mouth in horror, for she knew who he was.

* * *

For all her obvious happiness, Melanie was not well. Little Beau had cost her health, and the hard work she had done at Tara since his birth had taken further toll of her strength. She was so thin that her small bones seemed ready to come through her white skin. Seen from a dis­tance, romping about the back yard with her child, she looked like a little girl, for her waist was unbelievably tiny and she had practically no figure. Like her body, her face was too thin and too pale and her silky brows, arched and delicate as a butterfly's feelers, stood out too blackly against her colorless skin. In her small face, her eyes were too large for beauty, the dark smudges under them making them appear enormous, but the expression in them had not altered since the days of her unworried girlhood. War and constant pain and hard work had been powerless against their sweet tranquillity. They were the eyes of a happy woman, a woman around whom storms might blow without ever ruffling the serene core of her being.

How did she keep her eyes that way, thought Scarlett, looking at her enviously. She knew her own eyes sometimes had the look of a hungry cat. What was it Rhett had said once about Melanie's eyes - some foolishness about them being like candles? Oh, yes, like two good deeds in a naughty world. Yes, they were like candles, candles shielded from every wind, two soft lights glowing with happiness at being home again among her friends.