The runic alphabet. Old English alphabet and pronunciation
The runic alphabet
The runic alphabet is a specifically Germanic alphabet, not to be found in languages of other groups. The word rune originally meant ’secret’, ‘mystery’ and hence came to denote inscriptions believed to be magic. The runes were used as letters, each symbol to indicate separate sound. This alphabet is called futhark after the first six letters. Runic letters are angular; straight lines are preferred, curved lines avoided; this is due to the fact that runic inscriptions were cut in hard material: stone, bone or wood. The shapes of some letters resemble those of Greek or Latin, other have not been traced to any known alphabet, and the order of the runes in the alphabet is certainly original. The number of runes in different OG languages varied. As compared to continental, the number of runes in England was larger: new runes were added as new sounds appeared in English (from 28 to 33 runes in Britain against 16 or 24 on the continent). The main use of runes was to make short inscriptions on objects, often to bestow on them some special power or magic. The two best known runic inscriptions in England are the earliest extant OE written records. One of them is and inscription on a box called the “Franks Casket”, the other is a short text on a stone cross near the village of Ruthwell known as the “Ruthwell Cross”.
Old English alphabet and pronunciation
OE scribes used two kinds of letters: the runes and the letters of the Latin alphabet. The bulk of the OE material is written in the Latin script. The use of Latin letters in English differed in some points from their use in Latin, for the scribes made certain modifications and additions in order to indicate OE sounds. The most interesting peculiarity of OE writing was the use of some runic characters, in the first place, the rune called “thorn” which was employed alongside the crossed d, ∂ to indicate [th] and [∂]. In the manuscripts one more rune was regularly used – “wynn” for the sound [w]. Like any alphabetic writing, OE writing was based on a phonetic principle: every letter indicated a separate sound. This principle, however, was not always observed, even at the earliest stages of phonetic spelling. Some OE letters indicated two or more sounds, even distinct phonemes. The letters could indicate short and long sounds. In reading OE texts one should observe the following rules for letters indicating more than one sound. The letters f, s and [th], [∂] stand for voiced fricatives between vowels and also between a vowel and a voiced consonant; otherwise they indicate corresponding voiceless fricatives. The letter з stands for [g] initially before back vowels, for [j] before and after front vowels, for [γ] between back vowels and for [g’] mostly when preceded by c: OE daз [j]
The letter h stands for [x] between a back vowel and a consonant and also initially before consonants and for [x’] next to front vowels: OE niht [x’]
The letter n stands for [n] in all positions except when followed by [k] or [g]; in this case it indicates [ŋ]: OE sinзan.
Common phonetic characteristics of the Germanic languages.
All the Germanic languages of the past and present have common linguistic features; some of these features are shared by other groups in the IE family, others are specifically Germanic.
Word Stress
It is known that in ancient IE, prior to the separation of Germanic, there existed two ways of word accentuation: musical pitch and force stress. The position of the stress was free and movable, which means that it could fall on any syllable of the word – a root-morpheme, an affix or an ending – and could be shifted both in form-building and word-building. Both these properties of the word accent were changed in PG. Force and expiratory stress became the only type of stress used. In Early PG word stress was still as movable as in ancient IE but in Late PG its position in the word was stabilized. The stress was now fixed on the first syllable, which was usually the root of the word and sometimes the prefix; the other syllables – suffixes and endings – were unstressed. The stress could no longer move either in form-building or word-building.