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1. Jackson/in/publicize/city's/park/who/need/began/Downing/then/a/Andrew/to/ the/for/public/1844.

2. plan/for/bridges/some/ The/called/Greensward/36.

3. was/with/drawing/photographs/technical/extensively/work/and/documented/ The.

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5. million/representing/1,500/shrubs/and/approximately/species/trees/transplanted/park/four/ than/were/to/More/plants/the.

Виберіть у тексті потрібну інформацію та закінчіть речення.

1.New York City's need for a great public…

2. The state appointed a Central Park Commission to…

3. Frederick Law Olmsted and Calvert Vaux developed…

4. Execution of the Greensward Plan was the responsibility…

5. Between 1860 and 1873, most of the major hurdles…

 

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French formal garden

The French formal garden evolved from the Italian Renaissance garden, a style which was imported into France at the beginning of the 16th century.

Following his campaign in Italy in 1495, where he saw the gardens and castles of Naples, King Charles VIII brought Italian craftsmen and garden designers, such as Pacello da Mercogliano, from Naples and ordered the construction of Italian-style gardens at his residence at the Château d'Amboise. His successor Henry II, who had also traveled to Italy and had met Leonardo da Vinci, created an Italian nearby at the Château de Blois. Beginning in 1528, King Francis I of France created new gardens at the Château de Fontainebleau, which featured fountains, parterres, a forest of pine trees brought from Provence and the first artificial grotto in France. The Château de Chenonceau had two gardens in the new style, one created for Diane de Poitiers in 1551, and a second for Catherine de' Medici in 1560.

In 1536 the architect Philibert de l'Orme, upon his return from Rome, created the gardens of the Château d'Anet following the Italian rules of proportion. The carefully prepared harmony of Anet, with its parterres and surfaces of water integrated with sections of greenery, became one of the earliest and most influential examples of the classic French garden.

While the gardens of the French Renaissance were much different in their spirit and appearance than those of the Middle Ages, they were still not integrated with the architecture of the châteaux, and were usually enclosed by walls. The different parts of the gardens were not harmoniously joined together, and they were often placed on difficult sites chosen for terrain easy to defend, rather than for beauty. All this was to change in the middle of the 17th century with the development of the first real Garden à la française.

 

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